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Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality By Patrick Moore
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- Sales Rank: #2532297 in Books
- Brand: Brand: Beacon Press
- Published on: 2004-01-22
- Released on: 2004-01-22
- Original language: English
- Number of items: 1
- Dimensions: .99" h x 5.78" w x 8.85" l,
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
From Publishers Weekly
A talented novelist who for many years was director of the Estate Project for Artists with AIDS, Moore (This Every Night) offers a provocative defense of gay male sex culture in the 1970s as well as a jeremiad on the AIDS holocaust of the 1980s. The most exciting writing here details New York's provisional "theaters of pleasure" (sex clubs like The Mineshaft, dance clubs such as The Saint) with novelistic atmosphere and a canny ear for interview and synthesis, while Moore's portraits of artists lost to AIDS are also first-rate. Writers Cookie Mueller and Assotto Saint emerge as more interesting than their work, while the late David Wojnarowicz's memoir in particular is vaunted. Art world hackles will rise at Moore's unsympathetic account of gallerist Andrea Rosen's administration of the Felix Gonzalez-Torres estate, as Moore raises the specter of dealers and collectors profiting from the work of the dead and "de-gaying" it in the process. He also recreates the heady, vivid ACT UP era of street activism, recalling how the pink-and-black "Silence = Death" poster ignited the conscience of a generation. Some of Moore's arguments feel more like assertions, in particular his statement that the wild sex pioneered by gay men during the '70s was itself a form of art, although his argument is partly salvaged by a deft reading of Fred Halsted's threatening, aimless porn, and by his witty follow-up that, during the '80s East Village art boom, "art became sex." As a detailed examination of the ways in which rage gives depth to art, Moore's book has no peer in recent memory.
Copyright 2003 Reed Business Information, Inc.
Review
Patrick Moore presents us with a concept so radical, so transgressive that it will startle most readers . . . We still have much further to go to comprehend that sexual activity and pleasure can be not just an inspiration, but the source of creativity. - from the Foreword by Michael Bronski, author of Culture Clash: The Making of Gay Sensibility
"Patrick Moore boldly argues that the promiscuous gay men of the 1970s were actually artists and that AIDS derailed an esthetic community and sexual adventure. This quietly personal book reclaims the past for young gay men and makes it usable."--Edmund White, author of A Boy's Own Story
"A personal, tender, honest book about a past that can never be regained, but must not be forgotten." --Sarah Schulman, author of After Delores
"Patrick Moore reminds us of the extravagant creativity of gay self-fashioning in the 1970s, in the hope that such historical awareness can help us bring about an extravagant, creative gay future."--Carolyn Dinshaw, director of the Center for Gender & Sexuality, New York University
"Moore's exceptional study considers those men who fashioned an underground gay life that still resonates today."--Felice Picano, author of Like People in History and a founding member of the Violet Quill Club
About the Author
Patrick Moore has worked extensively on gay issues as both an activist and a writer. The author of two novels, This Every Night and Iowa, he was the founding director of the Estate Project for Artists with AIDS in New York City. Moore currently lives in Los Angeles, California, and is developing projects for film and television.
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